Having drawing as a central point in my practice, and not limiting myself to only learning about storyboarding but being able to adapt this existing illustration skills in different projects. I’ve been involved in layout, and editing my own animatics and final projects, also and more important, develop other set of skills to further my career in animation: I was able to learn about visual narrative and storytelling into a much deeper level. This skills I developed in different projects can be adapted in different aspects I am interested but was not sure how to develop during the MA, like comics and children stories as they all share the principles of drawing and storytelling.
Although it is clear that I still have room for improvement, nowadays I can say that I can perform professionally as a storyboard artist. I have gained and applied my experience adapting several skills to new environments and performing different roles in various projects while obtaining a better idea on what aspects I need to improve. A big part of the industry is about working on teams and relying on other people’s abilities to get the most of a project, big or small. and having a broad understanding of various keyponts to not feel at lost in different situations that may occur is a personal advantage since part of the storyboard artist job as someone who extinguish fires before they happen.
Drawing is still the axis to develop my career, and being able to develop skills that are useful in more than one way is important in the industry to keep the job, but also to develop a creative voice in personal projects. Storyboard artists work with the composition, storytelling continuity and establish relationships between characters and assures the flow of the sequence. They balance “strong drawing skills with good knowledge of anatomy, staging, acting and the ability to think quickly” (Levy, 2006) A storyboard is the drawings that illustrate a narrative momentum and it is after all a tool to help visualize the film, and like that, they are often discarded to create a stronger point in a story, it is, after all, thinking in terms of visual storytelling and quickly translating those thoughts so they can be pitched, revised and dissected. For the story.