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To be able to develop a career and making the most of the different aspects of the animation course, not every piece is a portfolio piece and not all have the explicit purpose of adding to a checklist. In a career that requires practice and practice, drawing should come second nature and for this reason balancing the heavy projects with learning new skills and practicing was also a priority. This is what I called during the length of the MA as “personal practice” (opposed to professional practice)
21/3/2017
The Artistry of Samurai JackWhen I watch an animated series, the first thing that I ask myself is if it makes sense to it be an animation. Not everything does. And some stories are just animated for no reason.
This is one of those series in which the animation is one of the main story components. it would be nearly impossible to make such bold contrasting scenarios, and touch the humor on it so smoothly with scenes full on drama. The design, the scenery, this entire world makes sense visually and is not that easy to achieve. 11/3/2017
Anifry: passing a weight.Passing a weight between characters. Even tho I like the subtle things in this one, overall I am not happy with the movement itself. It has too many inconsistencies.  But I want to name what Chris calls housekeeping.
For working with two characters it is necessary and make things easier. Having two timings make thing messy, but the moment I know what I am doing I can worry about inbetweening. Also timing the small actions such as the grabby hands or the gentle push of the object to child; has a lot of acting by itself and acting is something I really like to do (that is why i am still stubbornly wanting to be an animator, even tho I am slow animating). The career prospects of storyboard artists and how to keep a professional practice as one.
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30/3/2017